A Brief History Of Marketing

A Brief History Of Marketing Here and there advertising is as old as human advancement itself. You may have seen films situated in old Greece or Rome with pictures of dynamic market slows down and brokers definitely occupied with persuading correspondences. Obviously these merchants would not have called their exercises advertising and their exercises may appear to be far expelled from somebody requesting aircraft tickets through a site. The idea of advertising that we presently observe has more to do with development during the modern insurgency of the eighteenth and nineteenth hundreds of years. This was a time of quick social change inspired by mechanical and logical development (BBC history). One outcome was that just because the creation of products was isolated from their utilization. Large scale manufacturing, creating transport foundation and developing broad communications implied that makers expected to, and could grow increasingly refined methods of dealing with the circulation of products. The creation direction time For a great part of the modern insurgency merchandise were commonly constrained and makers could sell basically all that they could create, insofar as individuals could bear to get them. Their attention was hence on creation and appropriation at the most minimal conceivable expense and whatever advertising the board that there was viewed as these issues (for instance, decreasing circulation costs, opening new markets). The business direction time From the begining of the twentieth century to the time following the Second World War (in spite of the fact that the advancement was hindered by the wars) rivalry expanded and the focal point of showcasing went to selling. Interchanges, publicizing and marking began to turn out to be progressively significant as companies expected to sell the mounting yields of creation in an inexorably amassing market. Showcasing was accordingly still a captive to creation, however centered around appropriation, correspondence and convincing clients that one producer merchandise were superior to another. The promoting direction time From the 1960s onwards most markets have gotten overflowed (the size of the market continues as before). This implies there is presently extreme rivalry for clients. The refinement of promoting the board has in this manner advanced into what we currently find in a cutting edge showcasing division. Advertisers are included at a key level inside the association and thusly educate an association about what ought to be delivered, where it ought to be sold, what amount ought to be charged for it and how it ought to be imparted to buyers. Current advertisers research markets and buyers. They attempt to comprehend customer needs (and possible needs) and designate authoritative assets appropriately to address these issues. Present day advertisers are for the most part keen on brands. They are additionally progressively worried to guarantee that workers get promoting, for example that everybody inside the association includes themselves with showcasing exercises. Development of promoting It is difficult for some to think, however when contrasted with financial aspects, creation and activities, bookkeeping and different business zones, showcasing is a reasonably youthful control having risen in the mid 1900s. Before this time most issues that are currently for the most part connected with promoting were either accepted to fall inside fundamental ideas of financial matters (e.g., value setting was seen as a straightforward gracefully/request issue), publicizing (very much created by 1900), or by and large, just not yet investigated (e.g., client buy conduct, significance of conveyance accomplices). Driven by showcasing researchers from a few significant colleges, the advancement of promoting was in enormous part irritated by the need to analyze in more prominent detail connections and practices that existed among merchants and purchasers. Specifically, the investigation of showcasing drove venders to perceive that embracing certain methodologies and strategies could widely profit the merchant/purchaser relationship. In the past times of showcasing (before the 1950s) this regularly implied recognizing methodologies and strategies for just selling more items and administrations with little respect for what clients truly needed. Regularly this implied organizations held onto a sell-as-much-as possible way of thinking with little worry for building connections as long as possible. However, beginning during the 1950s, organizations prompted to see that old methods of selling were wearing ragged with clients. As rivalry became inflexible across most businesses, associations looked to the purchaser side of the exchange for approaches to advance. What they discovered was a rising way of thinking meaning that the key factor in effective showcasing is understanding the requirements of clients. This now celebrated Marketing Concept recommends advertising choices should spill out of at first knowing the client and what they need. At exactly that point should an association begin the way toward creating and advertising items and administrations. Three Eras of Marketing In the primary time of advertising, we were given eye getting magnificence in the encompassing foundation, which gave us a specific quieting impact; exactly what the promoting ploy required. At that point you saw the bright wide assortment of grouped natural products that were accessible. You could walk interminably about, taking as much time as is needed to choose what you needed. There were no pushy sales reps, certainly no TV advertisements, and without a doubt no bothering calls. Truth be told, it didnt take considerably more than a murmur of a recommendation to make the primary promoting ploy work. It was straightforward, simply tell the individuals they couldnt have the one thing that would permit them to know and have all that they at any point needed. What started as a little promoting ploy, snowballed from the beginning of time, and I accept started the absolute first advertising period. The second period of promoting was anything but difficult to see coming. At the point when the majority not, at this point searched out all that the market brought to the table, it turned out to be evident that another showcasing period was inevitable. Presently was the ideal opportunity for the market to go to the purchaser. A totally different scope of procedures rose in the midst of declining deals. First there was the one on one, entryway to-entryway advertising approach. While viable, it was a moderate informal procedure. It didn't offer a fast reaction like the new productive banners, or papers and magazine advertisements that followed. Indeed, even today, these showcasing approaches proceed, yet when TV and radio began selling publicizing time, the promoting approach had again changed. Presently sponsors could claim not exclusively to what the shopper required and needed, yet to what they may need some time or another later on. These roads offered access to new promoting zones and thoughts. This second promoting period enabled individuals to advertise things like houses, lodging activities, and get-away retreats. Purchasers no longer needed to spend overabundance cash on gas just to perceive what was accessible. Likewise, school reserves, entombment courses of action and even retirement plans, were effectively taken care of in the solace o f your own home. At last, we go to the third and last advertising time. Presently, due to satellite and Internet capacities, mass promoting is consistently accessible; climate you need it or not. It resonates in your ears from TV, radio, boards and so forth. It is the principal thing you find toward the beginning of the day and the exact opposite thing you hear around evening time, before you turn of you TV. In this current third advertising period, each vain creative mind of man is showcased. It isn't just showcased to the individuals who have the cash, however to the individuals who have no cash. They even direct their notices under age kids who have no cash. The advertising methodologies are so unreasonable now, they really empowered the under age and the low pay grouping of individuals, to lie and start purchasing things on layaway. Promoting is a type of correspondence expected to convince a group of people (watchers, perusers or audience members) to buy or make some move upon items, thoughts, or administrations. It incorporates the name of an item or administration and how that item or administration could profit the customer, to convince an objective market to buy or to devour that specific brand. These messages are normally paid for by supports and seen by means of different media. Publicizing can likewise serve to convey a plan to countless individuals trying to persuade them to make a specific move. Business promoters regularly try to create expanded utilization of their items or administrations through marking, which includes the reiteration of a picture or item name with an end goal to connect related characteristics with the brand in the brains of buyers. Non-business promoters who go through cash to publicize things other than a customer item or administration incorporate ideological groups, premium gatherings, strict associations and legislative organizations. Charitable associations may depend on free methods of influence, for example, an open help declaration. Current promoting created with the ascent of large scale manufacturing in the late nineteenth and mid twentieth hundreds of years. Broad communications can be characterized as any media intended to arrive at a mass measure of individuals. Various kinds of media can be utilized to convey these messages, including customary media, for example, papers, magazines, TV, radio, open air or post office based mail; or new media, for example, sites and instant messages. Electronic Media Advertising A TV promotion or TV plug regularly simply business or TV promotion (US), or advert, business, ad or essentially just advertisement (UK/US), or promotion film (India)- is a range of TV programming created and paid for by an association that passes on a message. Ad income gives a huge segment of the subsidizing for most exclusive TV stations. Most by far of TV ads today comprise of brief promoting spots, going long from a couple of moments to a few minutes (just as program-length infomercials). Ads of this sort have been utilized to advance a wide assortment of merchandise, administrations and thoughts since the beginning of TV. The USAs first TV commercial was communicated J

Avoiding the Passive Voice in Spanish

Maintaining a strategic distance from the Passive Voice in Spanish One of the most widely recognized missteps made by starting Spanish understudies who have English as a first language is to abuse aloof action word structures. Sentences with inactive action words are extremely regular in English, however in Spanish they arent utilized particularly in ordinary discourse. Key Takeaways: Spanish Passive Voice Albeit Spanish has an aloof voice, it isnt utilized as much in Spanish for what it's worth in English.One option in contrast to the latent voice is to transform it into the dynamic voice. Either expressly express the subject or utilize an action word that permits the subject to be inferred as opposed to stated.Another regular option is to utilize reflexive action words. What Is the Passive Voice? The detached voice includes a sentence development where the entertainer of the activity isnt expressed, and in which the activity is demonstrated by a type of to be (ser in Spanish) trailed by a past participle, and in which the subject of the sentence is the one followed up on. On the off chance that that isnt clear, take a gander at a basic model in English: Katrina was captured. For this situation, it isnt indicated who played out the capture, and the individual captured is the subject of the sentence. A similar sentence could be communicated in Spanish utilizing the inactive voice: Katrina fue arrestada. Yet, not every single English sentence utilizing the aloof voice can be converted into Spanish a similar way. Take, for instance, Jose was sent a bundle. Placing that sentence in an aloof structure in Spanish doesnt work. Josã © fue enviado un paquete just doesnt bode well in Spanish; the audience may think from the start that Jose was sent some place. Additionally, Spanish has many action words that essentially arent utilized in the uninvolved structure. What's more, still others arent utilized inactively in discourse, despite the fact that you may see them in journalistic composition or in things interpreted from English. At the end of the day, in the event that you need to decipher an English sentence utilizing an aloof action word to Spanish, youre generally best off thinking of an alternate way. Options in contrast to the Passive Voice How, at that point, should such sentences be communicated in Spanish? There are two regular ways: reevaluating the sentence in the dynamic voice and utilizing a reflexive action word. Reworking in the aloof voice: Probably the least demanding approach to decipher most uninvolved sentences in Spanish is to transform them to the dynamic voice. At the end of the day, make the subject of the inactive sentence the object of an action word. One explanation behind utilizing a latent voice is to abstain from saying who is playing out the activity. Luckily, in Spanish, action words can remain solitary without a subject, so you dont essentially need to make sense of who is playing out the activity to change the sentence. A few models: Inactive English: Roberto was arrested.Active Spanish: Arrestaron a Roberto. (They captured Roberto.)Passive English: The book was purchased by Ken.Active Spanish: Ken comprã ³ el libro. (Ken purchased the book.)Passive English: The movies was shut down at 9.Active Spanish: Cerrã ³ la taquilla a las nueve. Or then again, cerraron la taquilla a las nueve. (He/she shut the movies at 9, or they shut the movies at 9.) Utilizing reflexive verbs: The second basic manner by which you can maintain a strategic distance from the latent voice in Spanish is to utilize a reflexive action word. A reflexive action word is one in which the action word follows up regarding the matter. A model in English: I saw myself in the mirror. (Me vi en el espejo.) In Spanish, where the setting doesnt demonstrate something else, such sentences are regularly comprehended similarly as are inactive sentences in English. What's more, similar to detached structures, such sentences dont plainly show who is doing the activity. A few models: Latent English: Apples (are) sold here.Reflexive Spanish: Aquà ­ se venden las manzanas. (Truly, apples sell themselves here.)Passive English: The movies was shut down at 9.Reflexive Spanish: Se cerrã ³ la taquilla a las nueve. (Truly, the movies shut itself at 9.)Passive English: A hack isnt treated with antibiotics.Reflexive Spanish: La tos no se trata con antibiã ³ticos. (Truly, the hack doesnt treat itself with anti-infection agents.) A portion of the example sentences in this exercise could be justifiably meant Spanish in the latent structure. Be that as it may, local Spanish speakers dont typically talk that way, so the interpretations on this page would normally solid progressively common. Clearly, you wouldnt utilize the exacting interpretations above in making an interpretation of such Spanish sentences to English! In any case, such sentence developments are exceptionally basic in Spanish, so you shouldnt avoid utilizing them.

A week told through food

A week told through food Some of you may wonder:  how do people eat food without a meal plan? Well, dear mortals, I have perfected the art of photosynthesis and subsist entirely through sunlight. Unfortunately, with the encroaching winter, rapidly decaying window of daylight, and my delayed sleep schedule, I need to supplement my diet with human food. So I took a picture of all the food I ate for a week, because I thought that would be a cool blog post, and here it is. This came out as an experiment to figure out how exactly  I got my meals. I knew I was eating roughly lunch and dinner and other meals every day, but I didn’t know how much of what I was eating was free, how much I cooked, and how much I bought. I thought making this post would help. As a disclaimer, this also isnt representative of people who aren’t on meal plans. One of my friends cooks spectacular dishes for most of his lunches and dinners, for example. Come to think of it, almost all of my friends are on meal plans, so I don’t really know exactly how people without meal plans get their food. Finally, you can shame me for having horrible eating habits. It’s cool. I’ll accept it. I hate my eating habits too. Sunday I wake up late, as HMMT01 the Harvard-MIT Math Tournament, a high school math competition happened the day before and I spent a long night around Harvard and hanging out with friends. Breakfast was not a concern. Our hall has a free food table which had some leftover corn flakes, and I didn’t want cereal, so I made some breadsticks rolled around in crushed corn flakes. I eat that for lunch with some Nutella. I also eat two bananas. I do some work for the rest of the day; I didn’t have much to do. For dinner, I eat some apple crumble and pie that’s also left in our free food table. Monday I again wake up late enough that breakfast was not a concern. I eat some croissants from the Dunkin in the Stud02 the woefully inadequate Student Center for lunch. Outside the Stud, I watch the transit of Mercury. Or at least, attempt to watchâ€"there were too many clouds to have a long enough viewing window to appreciate it. I spend the rest of the afternoon working in the Stud before heading to Kresge for an improv workshop with Roadkill Buffet, MIT’s improv comedy group. For dinner, we had a DEAPS03 Discover Earth and Planetary Sciences, the Freshman Pre-Orientation Program I went to. We basically learned about earth sciencey stuff for a week together. It was really fun, strongly recommend. reunion at Naco Taco, a Mexican place up along Mass Ave. I think I had the Al Pastor taco, and another taco that I don’t remember the name of, but it probably had beef and cheese. We also had lots of chips. I also have tea, and wonder whether or not to take a picture of it. Tuesday I sleep through breakfast. The Office of the First Year hosts around two or three lunches with professors every week, and I usually sign up for one each week. This week I had lunch with Professor Steil from the Department of Urban Studies and Planning. His history’s pretty cool, since he went from African-American Studies as an undergrad to a PhD in Urban Planning. We had some conversations about the first-year experience and Course 1104 Urban Law and Planning. . The lunch itself is Cafe Luna catering. It’s nothing spectacular, but at this point, I’ve been conditioned to like it. It always comes in these white boxes, with a sandwich, some chips, and a pastry, usually a cookie. I grab a steak and cheese sandwich. After that, I print some documents and study for a bit before taking the second midterm for 8.02205 Physics 2. . I didn’t feel that confident leaving the midterm. I don’t remember what I did next, but I probably did homework or something before heading to Pritchett. EZHealth organized a cooking class at Pritchett. We were taught to make Kale and Quinoa Salad and Chicken and Mexican Rice Bowl. The recipes were pretty simple to follow, so it quickly turned to a QA session about cooking. We sampled the dishes too. Then I head to Tech Squares,06 MIT’s square dancing club! where there are some snacks to munch on in between the dancing. Most of it was gone by the time I remember to take a picture. There were some really good blueberry scones. Back at my hall, we have a small event where we drank tea and munched on pretzels. I stay up a bit late and get hungry, so I eat some Wheat Thins. I belatedly realize that I didn’t really eat dinner that night. Oops. Wednesday For breakfast, I have a protein bar. I had a lot of these in stock from when I did a Costco run a couple weeks back. I eat it during lecture for one of my classes. After lecture, one of my friends invites me to eat with him in the Maseeh dining hall, saying he had lots of meal swipes he needed to use. So we eat. I forget to take a picture until my plate is nearly empty, but I had some broccoli, and probably some rice, and maybe some sort of meat. I don’t really remember. I do remember I had milk. After recitation and another lecture, I head to the International Students Office. The ISO has an afternoon break every second Wednesday, and there’s food and some activities. This month’s afternoon break was themed around Thanksgiving, and we played charades with words related to fall. I have some salad, mashed potatoes, and pumpkin pie. I head to the Stud to do some homework again. For dinner, ESP07 the Educational Studies Program, best known for running Splash. had a worksession, where we did some work to prepare for Splash. Splash is an event where over two thousand high school students come to MIT’s campus to take classes, mostly taught by MIT students, about literally anythingâ€"from astronomy to ancient art to abstract algebra. Most of what I did in the worksession was helping revise a bunch of emails. There’s also food that I couldn’t identify (probably Mediterranean?), but I remember it being good. After the worksession, I head back to hall and hang out. Around midnight, I eat some fries that my friend had leftover from the takeout box they took from the Maseeh dining hall. Thursday I again do not have enough time to cook breakfast before my recitation, so I eat another protein bar. For lunch, I don’t have too much time to cook, so I instead make a power smoothie before heading to lecture. It is essentially fruit, protein powder, milk, and vegetables. I down it with some bread. It is probably the healthiest single thing I’ve consumed all week, if you’re only counting raw nutrients.08 which is probably not the best way to determine whether something is healthy For dinner, I make myself some scrambled eggs and toast. I probably tossed in some other things in the eggs too, but I don’t remember what, nor can I tell from the picture. Also not pictured is the toast. I then head to first aid training for ESP, where we learned things like how to provide first aid to wounds. Then I headed to a vacant classroom in Building 56 to practice teaching one of my Splash classes called Relating Games. Around midnight, I get hungry and eat a little Chex Mix I had bought from the Stud. I ended up eating a quarter of the bag. Friday I skip breakfast. To be honest, my sleep schedule has shifted enough that lunch is pretty much my first meal of the day. After lecture, I head to the International Students Office again, because there was a talk on impostor syndrome with some pizza. I could only finish one of the slices, and I packed the other one in a container I bring around with me to scavenge for food. Immediately after that I head back to my room to pack my things before heading to the train station at Kendall. For the weekend, a bunch of HMMT members were going to Princeton to volunteer for PUMAC09 a math competition that Princeton undergrads run , and we left that afternoon. After a tortuous and torturous seven-hour bus ride to New York, we briefly eat dinner at a Chick-fil-A. I have mixed feelings about eating dinner from a franchise whose values I vehemently disagree with. We take a train to Princeton Junction and then the dinky to Princeton. I fall asleep on a couch. Saturday Busy day, as it was PUMAC. I woke up at around 8 AM and ate a bagel that they provided as breakfast for the volunteers. I did not remember to take pictures of the bagel because I was preoccupied with figuring out how to proctor. I proctored a team while doing a pset. Watching them solve math problems reminded me of when I used to do math competitions, two years ago.10 i feel so old PUMAC got Subway to cater for everyone’s lunch. Apparently Subway does catering, and it came in boxes with a sandwich, chips, and a cookie. If that sounds familiar, well, it should. Because of the unsatisfying lunch, several of my friends and I went to a Panera Bread11 there are no Panera Breads in Cambridge. Oof. to have some more food. I was already rather full, so I order a small mac and cheese. After that, I headed back to the classrooms to help grade PUMAC’s Live Round. After some intermissions and awarding ceremonies, a couple of volunteers from HMMT head to eat dinner at PJ’s Pancake House. I get pancakes, eggs over easy, some bacon and a sausage. And after another long night of hanging out with friends, I collapse in a wrinkled heap in a sleeping bag on my host’s bedroom floor, anticipating the torturous commute back to Boston the next day. the Harvard-MIT Math Tournament, a high school math competition back to text ? the woefully inadequate Student Center back to text ? Discover Earth and Planetary Sciences, the Freshman Pre-Orientation Program I went to. We basically learned about earth sciencey stuff for a week together. It was really fun, strongly recommend. back to text ? Urban Law and Planning. back to text ? Physics 2. back to text ? MIT’s square dancing club! back to text ? the Educational Studies Program, best known for running Splash. back to text ? which is probably not the best way to determine whether something is healthy back to text ? a math competition that Princeton undergrads run back to text ? i feel so old back to text ? there are no Panera Breads in Cambridge. Oof. back to text ?

Vincent Van Gogh And Paul Gauguin Analysis - 1261 Words

Jaehun Lee 11/8/17 Second Writing Assignment While the painters that followed the Impressionism period were collectively called the â€Å"Post-Impressionists,† the label is reductive. Each artist had a unique style, from Seurat’s pointillism to Signac’s mosaic-like divisionism to other influential artists. All of these unique visions were birthed from each painters reaction to the aesthetics of Impressionism. Two of the more influential painters from this movement were Vincent van Gogh and Paul Gauguin, both of whom aimed to connect with viewers on a deeper level by accessing Nature’s mystery and meaning beyond the superficial, observable level. Close examination of Vincent van Gogh’s Self-Portrait (Dedicated to Paul Gauguin) and Paul†¦show more content†¦In addition, the overall blue-green coloration of van Gogh’s face also makes him look lifeless. Van Gogh’s clearly visible brush strokes seem to pull his facial skin toward the back of his head, enhancing his bony and g aunt features. He also flattens his hair down on his head to highlight the head’s skull-like appearance by using shorter brushstrokes that align with the contours of the skull. By using brushwork and color in this manner, van Gogh is able to express his intense hunger and passion for painting, going so far as to sacrificing his personal health for it. While Self Portrait (dedicated to Gauguin) clearly shows van Gogh’s spontaneous style, it also reveals van Gogh’s experimentation with Gauguin’s use of symbolic apparatuses. Van Gogh sent Gauguin this self-portrait in hopes of convincing Gauguin to visit van Gogh in Arles; in borrowing from Gauguin’s approach of using symbolic apparatuses, van Gogh attempted to strengthen his appeal by bringing up common interests the two painters held. For example, van Gogh identifies himself as a humble Japanese monk. He paints his eyes as if he were Japanese, and puts himself in humble, rusty-colored clothing. This, in combination with the enhanced gauntness and skull-like appearance of his face, likens van Gogh to a Japanese monk. Van Gogh’s representation of himself as a Japanese monk symbolizes his and Gauguin’s shared passion for and the influence of Japanese woodblockShow MoreRelatedThe Starry Night By Vincent Van Gogh1582 Words   |  7 PagesUnders tanding the Arts Thesis Question 11-07-14 Vincent van Gogh One of my favorite pieces of art growing up was The Starry Night by Vincent van Gogh. Van Gogh was a man of his times, but what was his life like? Van Gogh had a religious upbringing and was originally going to be a minister as his occupation. But my main focus and what I want to know, is what were the influences on his life and how did they affect his painting? Between all of these things van Gogh had many influences. The religious influenceRead MoreThe Color in Vincent Van Gogh’s Life: An Analysis of The Sower and The Night Cafà ©1264 Words   |  6 Pagesinvolved in art dealing, Vincent van Gogh was destined to have a place in the world of art. Van Gogh’s unique techniques and use of color, which clashed and differed greatly from the masters of the art world of his time, would eventually gain him the recognition as one of the founders of modern art. Van Gogh’s early life was heavily influenced by the role of his father who was a pastor and chose to follow in his footsteps. Although he abandoned the desire to become a pastor, van Gogh remained a spiritualRead MoreAn Analysis of Art in Europe from 1873 to 19132761 Words   |  11 Pagesï » ¿An Analysis of Art in Europe (1873-1913) Introduction Art for arts sake was, essentially, the 19th centurys attempt to secure for aesthetics what the medieval age of faith had secured for Christianity: primacy of importance. From 1873 to just before the outbreak of World War I, art began to undergo another shift, expressing at once both a longing for an old world spirit and an appreciation for modern and revolutionary ideas. The century of feeling and realism would culminate, of course,Read MoreEssay about 19th Century Art1240 Words   |  5 Pagestraditional values, systems and institutions were subjected to relentless critical analysis. At the same time, discovery and invention proceeded at an astonishing rate and made the once-impossible both possible and actual. But most importantly, old ideas rapidly became obsolete which created an entirely new artistic world highlighted by such extraordinary talents as Vincent Van Gogh, Eugene Delacroix, Paul Gauguin, Paul Cezanne, Toulouse-Lautrec, and Claude Monet. American painting and scul pture cameRead Moreâ€Å"Starry Night† Is One Of The Most Popular Canvasesin Modern-Day1385 Words   |  6 Pagesthe most simulated and pursued after images. This painting was done by Vincent van Gogh when he was at an asylum in Saint-Remy in 1889.It is said that this painting is a view out of Van Gogh’s asylum window. The painting shows swirling clouds in a starry night and a bright crescent moon, overlooking perhaps a village. This shows a contrast between the bright night sky and the silence of the village which is supposed to be Van Gogh’s hometown Netherland. The painting also consists of a cypress treeRead MoreAnalysis Of Van Gogh s Agony967 Words   |  4 PagesAnalysis of Van Gogh’s Agony In â€Å"Van Gogh’s Agony†, Lauren Soth proposes the argument that Starry Night by artist Vincent Van Gogh is more than just a landscape created from direct observation, but a nontraditional outlet for Van Gogh’s repressed religious beliefs that could not be expressed through traditional Christian imagery. However, Soth presents little convincing evidence from sources both primary and secondary to support this theory. Although some of the evidence may support his thesisRead MoreStarry Night a Paint by Vincent Van Gogh Essay1823 Words   |  8 PagesAn analysis on Starry Night (1889) of Vincent van Gogh Introduction The life span of 37 years saw Vincent Willem van Gogh (Vincent) in creating beautiful works he dearly loved. Painting was an avenue, which allowed him to express his inner thoughts or vent his struggles. My decision to research on Vincent’s painting, Starry Night (1889) came with the inspiration from Don Mclean’s Song, Starry Starry Night where his lyrics spoke about Vincent’s life that further intrigued me in writing thisRead MoreThe Communal Power of Art: Analyzing Four Great Paintings1270 Words   |  5 Pagescreatively depict life around it, which in turn is responsible for the engendering of such art. Therefore, it is highly prudent to analyze the surrounding context in which art is both created and adjudged for its monetary and aesthetic merit. Even a brief analysis of the four articles contained within this document demonstrates that there is a considerable degree of influence in the society of art and artists that is responsible for most forms of creativ e expression, which are evinced in not just paintingRead MoreVan Gogh s Life And Effect Today1819 Words   |  8 PagesSpeech: Van Gogh s Life and Effect today. Specific Purpose Statement: By the end of my speech the audience will be able to list 3 parts of Van Gogh s life and his achievements that affected the future. INTRODUCTION: Attention Getter: Imagine being one of the most well recognized names of the modern world, your name attracts millions, dozens of films and book are created after you. But at the same time imagine your life being filled with depression and rejection for the craft that you are belovedRead MoreAnalysis Paper : Paul Cezanne2048 Words   |  9 PagesContextual Analysis Paper: Paul Cezanne One of the most influential painters of the twentieth century was Paul Cezanne. He was willing to break the traditionally accepted artistic practices in order to better portray his artistic creativity. Cezanne became part of the movement following the Impressionists called the Post-Impressionism movement. The artists who were the driving forces behind this movement were Gauguin, Van Gogh, Seurat, and Cezanne. These artists were grouped together because they

Experimental design portion of a research proposal - Free Essay Example

Sample details Pages: 1 Words: 294 Downloads: 5 Date added: 2018/12/17 Category Biology Essay Type Research paper Level High school Tags: Scientific Essay Did you like this example? While carrying out this experiment, the specimen will be held into position using a stereotactic frame during the administration of the procedure. The faraday cage will be used together with electronic amplifiers for electrophysiological recordings. We will conduct three experiments on a six channel micro fabricated silicon devise connected to a Silica Catheter. Don’t waste time! Our writers will create an original "Experimental design portion of a research proposal" essay for you Create order The first experiment will be to determine effects of saline infusions administered using the probe on concurrent electrophysiology.1l aCSF will be administered using the device direct to the brain tissue. The second experiment will be to examine damage by the probe insertion and distribution of drugs in tissue Hoechst 33342 (Invitrogen) and propidium iodide (PI) (Invitrogen) each at 1 mg/ml in the artificial cerebral spinal fluid? will be used, (Mertensel., 2014). And finally, the third experiment will be to determine the physiological relevant quantity of drug to be administered in a regulated manner determined by probing the performance and design? in 0.6% agarose gel. Comparisons will be drawn to determine backflow for infusion rates below 0.5 l/minvs. those above 1.0 l/min. The 16-channel micro fabricated silicon apparatus will be prefilled with the infusate to prevent air from being infused the brain in the process.Sincethe solution will return to room temperature, Eventua lly, it will be warmed to body temperature due to the small volume that will be used. The incision will be positioned above the craniotomy,and the starting trial depth will be 2mm at a speed of 1.3 mm/sec. Ifno action potential is realized, withdrawal or further insertion will be applied.This is to determine the infusion rate and the insertion speed to be applied to all specimen in the experiment. References Mertens, D. M. (2014).? Research and evaluation in education and psychology: Integrating diversity with quantitative, qualitative, and mixed methods. Sage publications.

Fluke, or, I Know Why the Winged Whale Sings Chapter 14 Free Essays

string(24) " of the crowd and away\." CHAPTER FOURTEEN Down to the Harbor Down to the harbor they went – past the condos, the cane fields, the golf course, the Burger King, the Buddhist cemetery with its great green Buddha blissed out by the sea, past the steak houses, the tourist traps, the old guy riding down Front Street on a girl’s bike with a macaw perched on his head – down to the harbor they went. They waved to the researchers at the fuel dock, nodded to the haglets at the charter booths, shakaed the divemasters and the captains, and schlepped science stuff down the dock to start their day. Tako Man stood in the back of his boat eating a breakfast of rice and octopus as the Maui Whale crew – Clay, Quinn, Kona, and Amy – passed by. We will write a custom essay sample on Fluke, or, I Know Why the Winged Whale Sings Chapter 14 or any similar topic only for you Order Now He was a strong, compact Malaysian with long hair and a stringy soul-patch beard that, along with the bone fishhooks he wore in his ears, gave him the distinct aspect of a pirate. He was one of the black-coral divers who lived in the harbor, and this morning, as always, he wore his wet suit. â€Å"Hey, Tako,† Clay said. The diver glanced up from his bowl. His eyes looked as if someone had poured shots of blood into them. Kona noticed that the small octopus in the diver’s bowl was still moving, and he scampered down the dock feeling a case of the creeps fluttering to life in his spinal cord. â€Å"Nightwalkers, gray ones, on your boat last night. I seen them,† said Tako Man. â€Å"Not the first time.† â€Å"Good to know,† said Clay, patronizing the diver and moving down the dock. You had to keep peace with anyone who lived in the harbor, especially the black-coral divers, who lived far over the edge of what most people would consider normal life. They shot heroin, drank heavily, spent all day doing bounce dives to two hundred feet looking for the gemstone-valuable black coral, then spent their money on weeklong parties that had, more than once, ended with one of them dead on the dock. They lived on their boats and ate rice and whatever they could pull out of the sea. Tako Man had gotten his name because on any given afternoon, after the divers came in for the day, you’d see the grizzled Malaysian carrying a net bag full of tako (octopus) that he had speared on the reef for their supper. â€Å"Hi,† Amy said sheepishly to Tako Man as they passed. He glared at her through his bloody haze, and his head bobbed as he almost nodded out into his breakfast. Amy quickened her pace and ran a Pelican case she was carrying into the back of Quinn’s thigh. â€Å"Jeez, Amy,† Quinn said, having almost lost his footing. â€Å"Do those guys dive in that condition?† Amy whispered, still sticking to Quinn like a shadow. â€Å"Worse than that. Would you back up a little?† â€Å"He’s scary. You’re supposed to protect me, ya mook. How do they keep from getting into trouble?† â€Å"They lose one or two a year. Ironically, it’s usually an overdose that gets them.† â€Å"Tough job.† â€Å"They’re tough guys.† Tako Man shouted, â€Å"Fuck you, whale people! You’ll see. Fucking nightwalker fuckers. Fucking fuck you, haole motherfuckers!† He tossed the remains of his breakfast at them. It landed overboard, and tiny fish broke the water fighting for the scraps. â€Å"Rum,† said Kona. â€Å"Too much hostility in dat buzz. Rum come from da cane, and cane come from slavin’ the people, and dat oppression all distilled in de bottle and come out a man mean as cat shit on a day.† â€Å"Yeah,† said Clay to Quinn. â€Å"Didn’t you know that about rum?† â€Å"Where’s your boat?† asked Quinn. â€Å"My boat?† â€Å"Your boat, Clay,† said Amy. â€Å"No,† said Clay. He stopped and dropped two cases of camera equipment on the dock. The Always Confused, the spiny and powerful twenty-two-foot Grady White center-console fisherman, Clay’s pride and joy, was gone. A life jacket, a water bottle, and various other familiar flotsam bobbed gently in a rainbow slick of gasoline where the boat had once been. Everyone thought someone else should say something, but for a full minute no one did. They just stood there, staring at what should have been Clay’s boat but instead was a big, boatless gob of tropical air. â€Å"Poop,† Amy finally said, saying it for all of them. â€Å"We should check with the harbormaster,† said Nate. â€Å"My boat,† said Clay, who stood over the empty slip as if it were his recently run-over boyhood dog. He would have nuzzled it and stroked its little dead doggy ears if he could have, but instead he fished the oily life jacket out of the water and sat on the dock rocking it. â€Å"He really liked that boat,† Amy said. â€Å"Can I get a duh for the sistah?† exclaimed the dreaded blond kid. â€Å"I paid the insurance,† Nate said as he moved away, headed for the harbormaster. Tako Man had come down the dock from his own boat to stare at the empty water. Somber now. Amy backed up into Kona for protection, but Kona had backed up into the next person behind him, which turned out to be Captain Tarwater, resplendent in his navy whites and newly Kona-scuffed shoes. â€Å"Irie, ice cream man.† â€Å"You’re on my shoes.† â€Å"What happened?† asked Cliff Hyland, coming down the dock behind the captain. â€Å"Clay’s boat’s gone,† said Amy. Cliff moved up and put his hand on Clay’s shoulder. â€Å"Maybe someone just borrowed it.† Clay nodded, acknowledging that Cliff was trying to comfort him, but comfort fell like sandwiches on the recently bombed. By the time Quinn returned from the harbormaster’s office with a Maui cop in tow, there were a half dozen biologists, three black-coral divers, and a couple from Minnesota who were taking pictures of the whole thing, thinking that this would be something they would want to remember if they ever found out what was happening. As the cop approached, the black-coral divers faded to the edges of the crowd and away. You read "Fluke, or, I Know Why the Winged Whale Sings Chapter 14" in category "Essay examples" Jon Thomas Fuller, the scientist/entrepreneur who was accompanied by three of his cute female naturalists, stepped up beside Quinn. â€Å"This is just horrible, Nate. Just horrible. That boat represented a major capital investment for you guys, I’m sure.† â€Å"Yeah, but mainly we liked to think of it as something that floated and moved us around on the water.† Nate actually had a great capacity for sarcasm, but he usually reserved it for those things and people he found truly irritating. Jon Thomas Fuller was truly irritating. â€Å"Going to be tough to replace it.† â€Å"We’ll manage. It was insured.† â€Å"You might want to get something bigger this time. I know there’s a measure of safety working off of these sixty-five-footers we have, but also with the cabin you can set up computers, bow cameras, a lot of things that aren’t really possible on little speedboats. A good-size boat would add a lot of legitimacy to your operation.† â€Å"We sort of decided to go with the legitimacy we get from doing credible research, Jon Thomas.† â€Å"We didn’t make those figures up.† Fuller caught himself raising his voice. The cop interviewing Clay looked over his shoulder, and Fuller lowered his tone. â€Å"That was just professional jealousy on the part of our detractors.† â€Å"Your detractors were the facts. What did you expect when your paper concluded that humpbacks actually enjoyed being struck by Jet Skis?† â€Å"Some do.† Fuller pushed back his pith helmet and ventured a smile of sincerity, which collapsed under its own weight. â€Å"What’s your angle, Jon Thomas?† â€Å"Nate, I can get you a boat like ours, with all the trimmings, and an operating budget, and you’d just have to do one little project for me. One season of work, maximum. And your operation can keep the boat, sell it, do whatever you want.† Unless Fuller was about to ask him to shove him off the dock into the oily water, Quinn pretty much knew he was going to turn down the offer, but he had to ask. Those were really nice boats. â€Å"Make your proposal.† â€Å"I need you to put your name on a study that says that human-dolphin interaction facilities are not harmful to the animals, and do a study that says that building one at La Perouse Bay wouldn’t have a negative impact on the environment. Then I’d need you to stand up at the appropriate meetings and make the case.† â€Å"I’m not your guy, Jon Thomas. First, I’m not a dolphin guy, and you know that.† Nate avoided adding what he wanted to say, which was Second, you are a feckless weasel out to make a buck without any consideration for science or the animals you study. Instead he said, â€Å"There are dozens of people doing studies on captive dolphins. Why don’t you go to them?† â€Å"I have the animal study. You don’t have to do the study. I just want your name on it.† â€Å"Won’t the people who actually did the study have some objection to that?† â€Å"No. They’ll be fine with it. I need your name and your presence, Nate.† â€Å"I don’t think so. I can’t see myself testifying before impact committees and county planning boards.† â€Å"Okay, fair enough. Clay or Amy can do the stand-ups. Just put your name on the paper and do the environmental impact study. I need the credibility of your name.† â€Å"Which I won’t have as soon as I let you use me. I’m sorry, but my name is all I really have to show for twenty-five years of work. I can’t sell it out, even for a really nice boat.† â€Å"Oh, right, the nobility of starvation. Fuck that, Nate, and fuck your high ideals. I’m doing more for these animals by exposing the public to them than you’ll do in a lifetime of graphing out songs and recording behavior. And before you retire to your ivory tower on the ethical high ground, you’d better take a good look at your people. That kid is a common thief, and no one has ever heard of your precious new assistant.† Fuller turned and signaled to his chorus line of whalettes that they were going to their boat. Quinn looked for Amy, saw her on the other side of the cop who was talking to Clay, helping him fill in details. He ran up behind Fuller, grabbed the smaller man’s arm, and spun him around. â€Å"What are you talking about? Amy studied at Woods Hole, with Tyack and Loughten.† â€Å"That right? Well, maybe you’d better give them a call and ask them. Because they’ve never heard of her. Despite what you think, I do my research, Nate. Do you? Now, get back to your one-boat operation, would you.† â€Å"If I find out you had anything to do with this†¦Ã¢â‚¬  Fuller wrenched his arm out of Quinn’s grip and grinned. â€Å"Right, you’ll what? Become more irrelevant? Screw you, Nate.† â€Å"What did you say?† But Fuller ignored him and boarded his million-dollar research vessel, while Quinn skulked back down the dock to his friends. Oily flotsam seemed to be losing its allure, however, and the crowd had dispersed somewhat, leaving only Amy, Clay, the cop, and the couple from Minnesota. â€Å"You. You’re somebody aren’t you?† asked the woman as Nate walked up. â€Å"Honey, this guy is someone. I remember seeing him on the Discovery Channel. Get my picture with him.† â€Å"Who is he?† said  «honey » as his wife took Nate by the arm and posed like he’d just handed her a check. â€Å"I don’t know, one of those ocean guys,† she said through a grin, acting as if she were posing with one of the carved statues that decorated doorways around Lahaina. â€Å"Just take the picture.† â€Å"Are you one of those Cousteau fellas?† â€Å"Oui,† said Nate. â€Å"Now I muss speak with my good fren’ Sylvia Earle,† he continued in his French-by-way-of-British-Columbia-and-Northern-California fake accent as he went over to Amy. â€Å"I need to talk to you.† â€Å"Sylvia Earle! She’s a National Geographic person. Get their picture together, honey.† â€Å"He’s lying, Nathan,† Amy said. â€Å"You can check if you want. It was all on the resume I gave to Clay.† She didn’t appear angry, just hurt, betrayed perhaps. Her eyes were huge and teary, and she was starting to look vaguely like one of those creepy Keane sad-eyed-kid pictures. Quinn felt like he’d just smacked a bag of kittens against a truck bumper. â€Å"I know,† he said. â€Å"I’m sorry. I just†¦ well, Jon Thomas is an asshole. I let him get to me.† â€Å"It’s okay,† Amy sniffed. â€Å"It’s just†¦ just†¦ I’ve worked so hard.† â€Å"I don’t need to check, Amy. You do good work. My fault for doubting you. Let’s get Clay squared away and get to work.† He tentatively put his arm around her and walked her back to where Clay was finishing up his interview with the cop. Clay saw the tear tracks down Amy’s face and immediately took her in his arms and pressed her head to his shoulder. â€Å"I know, honey. I know. It was a great boat, but it was just a boat. We’ll get another one.† â€Å"Where’s Kona?† Nate asked. â€Å"He was around here a second ago,† said Clay. Just then Nate’s cell phone rang. He worked it out of his shirt pocket and answered it. â€Å"Nathan, it’s me,† said the Old Broad. Nate covered the mouthpiece. â€Å"It’s the Old Broad,† Nate said to Clay. â€Å"Amy, you go round up Kona while I finish up with the officer, okay?† Clay said. Amy nodded and was off down the dock. Clay turned back to the officer. The Old Broad went on, â€Å"Nathan, I spoke to that big male again today, and he definitely wants you to take a hot pastrami on rye with you when you go out. He said it’s very important.† â€Å"I’m sure it is, Elizabeth, but I’m not sure we’re even going out today. Something’s happened to Clay’s boat. It’s gone.† â€Å"Oh, my, he must be distraught. I’ll come down and look after him, but you have to get out in the channel today. I just feel it’s very important.† â€Å"I don’t think you’ll need to come down, Elizabeth. Clay will manage.† â€Å"Well, if you say so, but you have to promise me you’ll go out today.† â€Å"I promise.† â€Å"And you’ll take a pastrami on rye for that big male.† â€Å"I’ll try, Elizabeth. I have to go now, Clay needs me for something.† â€Å"With Swiss cheese and hot mustard!† the Old Broad said as Nate disconnected. Clay thanked the policeman, who nodded to Quinn as he walked off. Even the couple from Minnesota had moved on, and only Clay and Quinn were left on the dock. â€Å"Where are the kids?† asked Nate, cringing at the whole idea: he and Clay, the middle-aged couple being responsible and boring while the kids went off to play and have adventures. â€Å"I asked Amy to find Kona. They could be anywhere.† â€Å"Clay, I need to ask you something before they get back.† â€Å"Shoot.† â€Å"Did you check any of Amy’s references before you hired her? I mean, did you call anyone? Woods Hole? Her undergrad school – what was it?† â€Å"Cornell. Nope. She was smart, she was cute, she seemed to know what she was talking about, and she said she’d work for free. The bona fides looked good on paper. Gift horse, Nate.† â€Å"Jon Thomas Fuller said that he checked and that no one at Woods Hole has heard of her.† â€Å"Fuller’s an asshole. Look, I don’t really care if she finished high school. The kid has proven herself. She’s got balls.† â€Å"Still, maybe I should call Tyack. Just in case.† â€Å"If you need to. Call him this afternoon when you get back in.† â€Å"I’m sure Fuller was just yanking my chain. He tried to offer us a boat like his if we backed his dolphin-park project.† â€Å"And you turned him down?† â€Å"Of course.† â€Å"But those are really nice boats. Our armada has been reduced by fifty percent. Our nautical resources have declined by more than one-half. Our boatage is deficient by point five.† â€Å"What’s up?† Amy said. She’d come back down the dock and seemed to have shaken off her earlier melancholy. â€Å"Clay’s being scientific. Fuller offered us a sixty-foot research vessel like his, with operating budget, if we back his dolphin project.† â€Å"Do I have to sleep with him?† â€Å"We haven’t put that on the table,† Clay said, â€Å"but I’ll bet we could get a sonar array if you’re enthusiastic.† â€Å"Hell, Nate, take it,† Amy said. â€Å"It would mean selling out my credibility,† said Quinn, appalled at what total whores his colleagues had become. â€Å"We’d be going over to the dark side.† Amy shrugged. â€Å"Those are really nice boats.† The corner of her mouth twitched as if she was trying not to grin, and Nate realized that she was probably goofing on him. â€Å"Yeah,† said Clay. â€Å"Nice.† Clay was goofing, too. He’d be all right. Nate shook his head, looking as if he were fighting disbelief, but actually he was trying to shake the memory of his dream of driving a big cabin cruiser through the streets of Seattle with Amy displayed as the bikinied figurehead. â€Å"If you’re okay, Clay, we really should get out before the wind comes up.† â€Å"Go,† Clay said. â€Å"I’ll get the police report for the insurance company.† To Amy he said, â€Å"You find Kona?† â€Å"He’s down there with that Tako guy.† â€Å"What’s he doing down there?† â€Å"It looked like he was building a saxophone. I didn’t go close.† Quinn strode down the dock and looked to where Kona was talking with Tako Man. â€Å"No, that’s his bong. It breaks down for easy portage.† â€Å"What’s a bong?† â€Å"Cute, Amy. Help me get the equipment in the boat.† Suddenly Kona started shouting and running down the dock toward them. â€Å"Bwanas! I found the boat!† Clay perked up. â€Å"Where?† â€Å"Right there. Tako Man says it’s right there. He dove down there this morning.† Kona was pointing to a patch of murky jade green water in the center of the harbor. Jade green because of all the waste flushed from the live-aboards, as well as the bait, fish guts, seasickness, and bird poop that went into the water faster than the scavengers could clean it out, and so it caused a perpetual algae bloom. â€Å"My boat,† said Clay, looking forlornly at the empty water. Amy stepped up and put her arm around Clay’s shoulders to resume stage-two comfort. â€Å"He dove in that water?† â€Å"The nightwalkers sank it, Bwana Clay. Tako Man saw them. Skinny blue-gray guys. He called them nightwalkers. I think aliens.† â€Å"Aliens are always gray, aren’t they?† inquired Quinn. â€Å"That’s what I say to him,† said Kona. â€Å"But he say no, not with the lightbulb head. He say they tall and froggy.† â€Å"You’re high,† said Clay. â€Å"Tako Man got dank mystical buds, brah. Was a spiritual duty.† â€Å"He’s not criticizing you, Kona,† Quinn explained. â€Å"We just assume that you’re high. Clay’s just doubting the credibility of your story.† â€Å"You don’t believe I? Give a man a mask, I’ll dive down and get a ting off da boat for proof.† â€Å"Hepatitis, that’s what you’ll bring up,† said Amy. â€Å"I’m going to work,† said Nate. â€Å"My boat,† said Clay. Nate decided that perhaps he should offer a measure of solace. â€Å"Look at the bright side, Clay. At least whales are big.† â€Å"How is that the bright side?† â€Å"We could be studying viruses. You have any idea what it costs to replace a scanning electron microscope?† â€Å"My boat,† said Clay. How to cite Fluke, or, I Know Why the Winged Whale Sings Chapter 14, Essay examples

Symbolism In ‘The Glass Menagerie’ Essay Research Paper Example For Students

Symbolism In ‘The Glass Menagerie’ Essay Research Paper I have a poets weakness for symbols. So states Tom Wingfield, narrator and major character in Tennessee Williams timeless play The Glass Menagerie. Through the eyes of Tom, the viewer gets a glance into the life of his family in the pre-war depression era; his mother, a southern belle desperately clinging to the past, his sister, a young woman too fragile to function in society, and himself, a struggling young poet working at a warehouse to pay the bills. Williams, through his remarkable use of symbols, is able to effectively express the theme of The Glass Menagerie : That of hopeful aspirations followed by inevitable disappointment, having dreams which are destroyed by the harsh realities of the world. We will write a custom essay on Symbolism In ‘The Glass Menagerie’ Research Paper specifically for you for only $16.38 $13.9/page Order now Symbols are a major part of this play, as Tom, the narrator, is a poet, and admits he has a weakness for symbols. One major symbol presented in the story is that of the fire escape, a symbol that has a different meaning and function for each character. For Tom, it is a means of escape from fire, not the type of fire that was considered in its building, but the slow and implacable fires of human desperation. This is especially true of Toms apartment. His mother, devastated after her daughter Lauras failure to cope in business college, becomes obsessed with finding her a gentleman caller so that she can marry and be well supported. When this caller finally comes, and it seems like it was meant to be, as they dance and kiss, he announces he is engaged, and dashes their hopes. The ever-fragile Laura, temporarily drawn out of her dream-world shell of her glass collection and the victrola, draws further back into herself. Now a terrible desperation fills the apartment, and Tom decides he m ust escape the suffocating environment to follow his own calling. The fire escape to him represents a path to the outside world. For Laura, the fire escape is exactly the oppositea path to the safe world inside, a world in which she can hide. Especially symbolic is Lauras fall when descending the steps to do a chore for her mother, after leaving the security of the apartment. This fall symbolizes Lauras inability to function in society and the outside world. For Amanda, the fire escape is symbolic of her hopes and dreamshopes and dreams that a gentleman caller will arrive to marry her daughter and leave her well supported. This is the way Jim comes into the apartment, at the time when Amandas hopes have been peaked. It is symbolic that Laura does not want to open the door when Jim arrives. It shows her reluctance to let an emissary from the world of reality, symbolized by Jim, invade the comfortable non-existence of the apartment, and her insecurity in dealing with the outside world . Another recurring symbol in the story is that of the glass menagerie itself. This represents Lauras hypersensitive nature and fragility. The first time the menagerie is mentioned in any detail in a symbolic manner is when Tom and Amanda have a heated argument near the beginning of the play. Tom ends it by calling Amanda an ugly babbling old witch, and struggles to put his jacket on, intent on leaving. When he cannot put the coat on properly, he becomes frustrated with his clumsiness, and flings it across the room, breaking some of the glass collection. Laura cries out as if wounded. This shows how fragile Laura really is, and how she reacts when even the small balance of her apartment is shifted. Williams also makes the use of this symbol apparent on stage. When Amanda sits down to discuss Lauras future with Tom, the legend Laura appears on screen, and the music that begins playing is The Glass Menagerie. The most prominent use of this symbol comes at the turning point of the story, when Jim is left alone with Laura. The conversation turns to Lauras glass collection, when she remarks glass is something you have to take good care of., again showing her fragility. More parallels are drawn between Laura and the glass collection with the introduction of the unicorn. Jim says Poor little fellow, he must feel